Wednesday, July 30, 2008

Cut Your Spending by $500 Per Month

Cut Your Spending by $500 Per MonthThe Consumer Reports Money Lab shakes loose a bushel of savings hiding in everyday spending.Find Cheaper Auto InsuranceAverage Savings: $65Annual surveys of Consumer Reports readers have shown that many have stayed with the same auto insurer for 15 years. Depending on your profile and where you live, you might be able to save hundreds a month by shopping around. (In all the categories listed, the monthly savings shown are Money Lab estimates based on what average consumers spend. Your actual savings will depend on your circumstances.)More from Consumerreports.org:• Spend Less on Everything• Dangerous Debt Consolidation• More Money-Saving TipsFor example, a married couple without violations or accidents but with a driving-age son in Los Angeles can save $380 per month on standard coverage by switching to a lower-cost auto insurer, according to data compiled by the California Department of Insurance. But a retired couple with no violations in Fargo, N.D., can expect to save only about $30 per month by switching insurers.How to Do ItStart at the Web site of the National Association of Insurance Commissioners, and click on NAIC States & Jurisdictions to find your state's insurance department. Most provide comparative premium quotes based on standard customer profiles. If your state doesn't, you can get quotes from insurers by phone or over the Internet. You can also compare premiums from multiple carriers by using independent Web sites, such as Insweb, Insurance.com, and Insure.com.Optimize Your Life InsuranceAverage Savings: $110Life-insurance premiums have dropped so dramatically since the 1990s, it will probably pay for you to replace a policy bought years ago with a comparable one. A $500,000, 20-year guaranteed level term policy from Prudential, for example, would have cost a healthy, nonsmoking, 50-year-old man about $2,125 a year in 1998, according to Accuquote.com. Today the same guy, now 60, could pay Prudential $1,385 a year for the same coverage over the next 10 years. Savings: $60 per month.Another option at any age: Adopt a healthier lifestyle and get re-rated for a lower premium. For example, a 40-year-old man with a $1 million, 20-year term policy could save $50 a month by cutting his cholesterol by 30 points; $65 a month if he dropped 50 pounds to reach normal weight; and $165 a month three years after he quit smoking.How to Do ItGet a physical checkup and follow your doctor's advice for shaping up before applying for a new policy. You can get premium quotes at LifeInsure.com. Don't cancel your existing policy until you have a new one already in place.Shop Smart for FoodAverage savings: $200Making different choices in the supermarket and when eating out can net monthly savings ranging from $130 to $255. The average family of four can chop its grocery bill by $190 a month by shifting to a lower-cost mix of foods, according to data from the Department of Agriculture. The agency monitors prices of four nutritionally balanced grocery baskets at different cost levels: liberal, moderate-cost, low-cost, and thrifty. The liberal basket contains more food per month than the moderate-cost one, a greater proportion of pricier food like beef and fish, and more wasted leftovers.In 2006 American families spent 44 percent of their food budget eating out. By cutting restaurant spending in half, you can save another $30 to $60 per month.How to Do ItPlan menus around sales on fresh poultry, fish, meat, dairy, and produce, and make use of leftovers. Avoid costly prepared meals. Eat more low-priced, high-nutrition foods such as beans and potatoes, says Andrea Carlson, a USDA economist. Shop in lower-cost stores such as Aldi Foods, PriceRite, Costco, Trader Joe's, Wal-Mart, and Sam's Club, but be sure to compare prices. Try less-expensive store brands. Sign up for store discount cards. Stock up on sale-priced staples.When eating out, take advantage of prix-fixe meals and off-hour discounts. Eat half of the big portions in vogue today at the restaurant and take the rest home for a next-day encore.Stop Paying Bank FeesAverage savings: $25The American Bankers Association says 52 percent of consumers spend nothing on bank fees each month. But somebody's paying fees, and lots of them, because the Federal Deposit Insurance Corp. says banks collected $39 billion in account fees and penalties last year. That works out to an average of $28 per month per household. But with some planning, you can pay zero.How to Do ItBank at a large institution with lots of ATMs in convenient locations to avoid the cost of using other banks' machines—as much as $4 per withdrawal. And use the no-fee cash-back option at supermarkets.More from Yahoo! Finance:• Get 6 Months of Credit-Monitoring for Free• Credit Card Debt: A More Taboo Topic Than Sex• 2 for 1, Free Delivery: Shopping Scams to AvoidVisit the Banking & Budgeting CenterShop for free checking and strictly adhere to provisions for a minimum balance, direct deposit, or other conditions to avoid monthly fees. Keep track of checks, withdrawals, and debits to avoid overdraft fees averaging $27.Call Up Phone SavingsAverage savings: $35The average family spends $90 a month for a home phone, cell phones, pagers, and phone cards, according to the Bureau of Labor Statistics. When we examined real phone bills, we uncovered savings from $15 per month for budget callers to $55 per month for heavy users.How to Do ItPeruse your last few months' phone bills to assess how many minutes you typically use on landline and wireless calls. Comparison shop among cellular service providers, the local phone company, independent long-distance carriers, and your cable TV company. Don't buy more than you need, such as an unlimited cellular plan if you rarely go over 900 minutes per month.Consider all possible money savers, such as measured local service, prepaid phone cards and cell phones, cut-rate long-distance carriers, VoIP service, and landline/Internet/TV packages.Pay Off Your Credit CardAverage Savings: $65On average, consumers who carry a balance owe $2,200, on which they pay 15.2 percent in annual interest charges. Eliminate that and save $28 per month. Some 15 percent of consumers carry balances of $10,000 or more, according to Fair Isaac, the credit-scoring company; they can save at least $125 per month by paying off their debt.How to Do ItPaying off your balance is easier said than done. The trick is to stop charging. Then pay more than the minimum required each month until it's paid off. Dig up cash for this from your U.S. Treasury stimulus check, garage sales, or extra work part-time.Increase Your 401(k) ContributionAverage tax savings: $125If you're not already contributing the maximum, put more into your 401(k), IRA, or other tax-deferred retirement account. You'll also cut the amount of income tax you'll pay each month. (Note that this does not apply to Roth accounts.)Paying $500 a month into your 401(k) plan, for example, will reduce your federal income tax bite by $50 to $175 per month, depending on your tax bracket. Of course, you'll pay that tax down the road, when you withdraw from your plan in retirement. But in the meantime, invest your tax savings or use them to offset rising prices elsewhere.

Cut Your Spending by $500 Per Month

Cut Your Spending by $500 Per MonthThe Consumer Reports Money Lab shakes loose a bushel of savings hiding in everyday spending.Find Cheaper Auto InsuranceAverage Savings: $65Annual surveys of Consumer Reports readers have shown that many have stayed with the same auto insurer for 15 years. Depending on your profile and where you live, you might be able to save hundreds a month by shopping around. (In all the categories listed, the monthly savings shown are Money Lab estimates based on what average consumers spend. Your actual savings will depend on your circumstances.)More from Consumerreports.org:• Spend Less on Everything• Dangerous Debt Consolidation• More Money-Saving TipsFor example, a married couple without violations or accidents but with a driving-age son in Los Angeles can save $380 per month on standard coverage by switching to a lower-cost auto insurer, according to data compiled by the California Department of Insurance. But a retired couple with no violations in Fargo, N.D., can expect to save only about $30 per month by switching insurers.How to Do ItStart at the Web site of the National Association of Insurance Commissioners, and click on NAIC States & Jurisdictions to find your state's insurance department. Most provide comparative premium quotes based on standard customer profiles. If your state doesn't, you can get quotes from insurers by phone or over the Internet. You can also compare premiums from multiple carriers by using independent Web sites, such as Insweb, Insurance.com, and Insure.com.Optimize Your Life InsuranceAverage Savings: $110Life-insurance premiums have dropped so dramatically since the 1990s, it will probably pay for you to replace a policy bought years ago with a comparable one. A $500,000, 20-year guaranteed level term policy from Prudential, for example, would have cost a healthy, nonsmoking, 50-year-old man about $2,125 a year in 1998, according to Accuquote.com. Today the same guy, now 60, could pay Prudential $1,385 a year for the same coverage over the next 10 years. Savings: $60 per month.Another option at any age: Adopt a healthier lifestyle and get re-rated for a lower premium. For example, a 40-year-old man with a $1 million, 20-year term policy could save $50 a month by cutting his cholesterol by 30 points; $65 a month if he dropped 50 pounds to reach normal weight; and $165 a month three years after he quit smoking.How to Do ItGet a physical checkup and follow your doctor's advice for shaping up before applying for a new policy. You can get premium quotes at LifeInsure.com. Don't cancel your existing policy until you have a new one already in place.Shop Smart for FoodAverage savings: $200Making different choices in the supermarket and when eating out can net monthly savings ranging from $130 to $255. The average family of four can chop its grocery bill by $190 a month by shifting to a lower-cost mix of foods, according to data from the Department of Agriculture. The agency monitors prices of four nutritionally balanced grocery baskets at different cost levels: liberal, moderate-cost, low-cost, and thrifty. The liberal basket contains more food per month than the moderate-cost one, a greater proportion of pricier food like beef and fish, and more wasted leftovers.In 2006 American families spent 44 percent of their food budget eating out. By cutting restaurant spending in half, you can save another $30 to $60 per month.How to Do ItPlan menus around sales on fresh poultry, fish, meat, dairy, and produce, and make use of leftovers. Avoid costly prepared meals. Eat more low-priced, high-nutrition foods such as beans and potatoes, says Andrea Carlson, a USDA economist. Shop in lower-cost stores such as Aldi Foods, PriceRite, Costco, Trader Joe's, Wal-Mart, and Sam's Club, but be sure to compare prices. Try less-expensive store brands. Sign up for store discount cards. Stock up on sale-priced staples.When eating out, take advantage of prix-fixe meals and off-hour discounts. Eat half of the big portions in vogue today at the restaurant and take the rest home for a next-day encore.Stop Paying Bank FeesAverage savings: $25The American Bankers Association says 52 percent of consumers spend nothing on bank fees each month. But somebody's paying fees, and lots of them, because the Federal Deposit Insurance Corp. says banks collected $39 billion in account fees and penalties last year. That works out to an average of $28 per month per household. But with some planning, you can pay zero.How to Do ItBank at a large institution with lots of ATMs in convenient locations to avoid the cost of using other banks' machines—as much as $4 per withdrawal. And use the no-fee cash-back option at supermarkets.More from Yahoo! Finance:• Get 6 Months of Credit-Monitoring for Free• Credit Card Debt: A More Taboo Topic Than Sex• 2 for 1, Free Delivery: Shopping Scams to AvoidVisit the Banking & Budgeting CenterShop for free checking and strictly adhere to provisions for a minimum balance, direct deposit, or other conditions to avoid monthly fees. Keep track of checks, withdrawals, and debits to avoid overdraft fees averaging $27.Call Up Phone SavingsAverage savings: $35The average family spends $90 a month for a home phone, cell phones, pagers, and phone cards, according to the Bureau of Labor Statistics. When we examined real phone bills, we uncovered savings from $15 per month for budget callers to $55 per month for heavy users.How to Do ItPeruse your last few months' phone bills to assess how many minutes you typically use on landline and wireless calls. Comparison shop among cellular service providers, the local phone company, independent long-distance carriers, and your cable TV company. Don't buy more than you need, such as an unlimited cellular plan if you rarely go over 900 minutes per month.Consider all possible money savers, such as measured local service, prepaid phone cards and cell phones, cut-rate long-distance carriers, VoIP service, and landline/Internet/TV packages.Pay Off Your Credit CardAverage Savings: $65On average, consumers who carry a balance owe $2,200, on which they pay 15.2 percent in annual interest charges. Eliminate that and save $28 per month. Some 15 percent of consumers carry balances of $10,000 or more, according to Fair Isaac, the credit-scoring company; they can save at least $125 per month by paying off their debt.How to Do ItPaying off your balance is easier said than done. The trick is to stop charging. Then pay more than the minimum required each month until it's paid off. Dig up cash for this from your U.S. Treasury stimulus check, garage sales, or extra work part-time.Increase Your 401(k) ContributionAverage tax savings: $125If you're not already contributing the maximum, put more into your 401(k), IRA, or other tax-deferred retirement account. You'll also cut the amount of income tax you'll pay each month. (Note that this does not apply to Roth accounts.)Paying $500 a month into your 401(k) plan, for example, will reduce your federal income tax bite by $50 to $175 per month, depending on your tax bracket. Of course, you'll pay that tax down the road, when you withdraw from your plan in retirement. But in the meantime, invest your tax savings or use them to offset rising prices elsewhere.

Monday, July 28, 2008

kita mo na??kaya binubura ng ebs




wowowee nagppractice kung pano mandaya!

cge magb...

kita mo na??kaya binubura ng ebs




wowowee nagppractice kung pano mandaya!

cge magb...

BACKGROUND




BACKGROUND




LA SALLE TAFT TALK




LA SALLE TAFT TALK




Voice-over Recording, ISDN and audio-post sound recording studios in London UK W1. The Sound Company Ltd.

http://www.sound.co.uk/

Voice-over Recording, ISDN and audio-post sound recording studios in London UK W1. The Sound Company Ltd.

http://www.sound.co.uk/

Voice Group Multilingual Voiceovers

http://www.voicegroup.com/index.html

Voice Group Multilingual Voiceovers

http://www.voicegroup.com/index.html

Kamusta - The Pinoy Web Directory - Philippines : Arts : Animation : Voice_Actors : Professional_Services

http://www.kamusta.org/index.php/Arts/Animation/Voice_Actors/Professional_Services

Kamusta - The Pinoy Web Directory - Philippines : Arts : Animation : Voice_Actors : Professional_Services

http://www.kamusta.org/index.php/Arts/Animation/Voice_Actors/Professional_Services

AudioGodz - Official Home Page

http://www.audiogodz.com/index2.shtml

AudioGodz - Official Home Page

http://www.audiogodz.com/index2.shtml

Wednesday, July 23, 2008

Could peace be near for YouTube and Hollywood?


Could peace be near for YouTube and Hollywood?

Google's YouTube is quickly shedding its reputation in Hollywood as a clearinghouse for pirated content and could soon be home to clips from popular movies and TV shows--all legally obtained.

Insiders say the search company has adopted a more accommodating approach toward Hollywood, and that it's finally starting to pay off. Last week, Lionsgate struck a content agreement with YouTube in a deal that calls for unprecedented cooperation between a major film studio and the Web's largest video-sharing site.

That agreement is likely only the beginning. Other big media companies are in talks with Google about similar deals, say sources with three different entertainment companies. They detailed the ways Google has become more flexible in talks about sharing revenue and helping protect films and TV shows against piracy.

"We've been working with them on filtering and they're doing a pretty good job," said an executive at a major media company that has been critical in the past of YouTube's antipiracy efforts. "We're pretty impressed with the results and their ability to identify our clips and allow us to automate the process."

Google has piqued the interest of some in Hollywood with new ad-delivery and content-tracking technology that the company is developing

Google has also piqued the interest of some in Hollywood with new ad-delivery and content-tracking technology that the company is developing, according to three studio executives who spoke to CNET News. Google could one day enable content owners to insert ads into unauthorized video clips wherever they might be posted online.

Ricardo Reyes, a YouTube spokesman, declined to comment about Google's business dealings, but did say YouTube's commitment to copyright protection hasn't changed. "We've always been committed to it," he said.

Should Google succeed in convincing Hollywood to share content on YouTube, many of the company's copyright woes could be put behind it. Google could also generate new revenue from selling ads against popular television shows and films.

Hollywood could profit from piracy
As it stands now, Google doesn't advertise against the vast majority of YouTube clips. It can't legally sell ads against pirated content and homemade video at the site is often too controversial or mundane to appeal to advertisers. Licensing more professionally made content could be the answer to Google's disappointing attempts to make money off the volume of content available on YouTube.

The new ad-distribution technology Google is working could go a long way to mitigating the damages caused by copyright violations. A digital fingerprint is made of a piece of video and is used to locate unauthorized clips. If the owner chooses, an ad can be inserted into the video. To do it, Google has been considering a partnership with Auditude, a start-up that has impressed many in Hollywood with this type of technology, according to three sources with knowledge of the talks.

A representative from Auditude declined to comment for this story. A third competitor, Vobile, has also caught the attention of studio executives, said one of the sources.

Google CEO Eric Schmidt hinted that his company was working on this kind of technology during the company's quarterly earnings call on Thursday.

"Lionsgate works with people who upload segments of the Lionsgate movies that they like and they capture them using our ClaimWare content product," Schmidt said.

He continued by saying ClaimWare finds a copyright owner's videos and enables the copyright owner to display ads next to them.

"The days of the 50-50 split between content owners and Web sites are over."
--entertainment executive

These kinds of systems, however, don't solve all of the entertainment industry's problems, said one executive at a major media company. Film studios would be profiting from (rather than punishing) piracy. "Sure, it's easy to say, 'Wouldn't it make sense to monetize these unauthorized clips,'" said the source. "But if you say 'Go ahead and make unauthorized copies. We'll just make money off of them' aren't you legitimizing piracy?"

Did litigation and mediocre revenues change Google's tune?
None of the people who spoke to CNET News knows for certain what led Google to soften its approach toward the entertainment sector.

But few in Hollywood have missed Schmidt's recent comments that YouTube is struggling to make significant income. YouTube is also defending itself against a $1 billion copyright infringement suit filed by Viacom last year.

And while YouTube is still the Web's dominant video site, with 34 percent of the market according to ComScore, the site has begun to see major entertainment players gravitate toward competitors, such as Hulu, the video portal backed by NBC Universal and News Corp.

Hulu may have already hurt YouTube and Google in one significant way, according to one media executive. The portal has helped to establish revenue splits between online video distributors and content owners.

"The days of the 50-50 split between content owners and Web sites are over," said the executive. "Content owners are not going to take less than 70 percent anymore and some are getting 90 percent. In Hulu's case, 70 percent goes to the content owner. Hulu takes 20 and the Web sites who have distribution deals get 10 percent."

These aren't close to what Google was willing to accept in the past, but the search giant now appears more willing to compromise, said two studio executives.

Conversely, the studios realize that Google, despite concerns over YouTube revenues, isn't exactly playing a weak hand: YouTube has more than 70 million unique monthly visitors, making it the third-most visited site on the Web.

"YouTube and Google were the 800-pound gorilla (in the online video sector)," said one of the executives who has been involved in negotiations with the companies. "They had all the distribution and all this pirated content and you couldn't monetize without them."

On Monday evening, Viacom CEO Philippe Dauman respond to questions posed by reporters at a gathering in San Francisco and said in his view YouTube started out as a "rogue company." Google's hardball negotiating tactics with the studios and TV networks only served to further alienate decision makers in the entertainment sector, he suggested.

Dauman said that eventually Google must learn the value of "making friends."

Could peace be near for YouTube and Hollywood?


Could peace be near for YouTube and Hollywood?

Google's YouTube is quickly shedding its reputation in Hollywood as a clearinghouse for pirated content and could soon be home to clips from popular movies and TV shows--all legally obtained.

Insiders say the search company has adopted a more accommodating approach toward Hollywood, and that it's finally starting to pay off. Last week, Lionsgate struck a content agreement with YouTube in a deal that calls for unprecedented cooperation between a major film studio and the Web's largest video-sharing site.

That agreement is likely only the beginning. Other big media companies are in talks with Google about similar deals, say sources with three different entertainment companies. They detailed the ways Google has become more flexible in talks about sharing revenue and helping protect films and TV shows against piracy.

"We've been working with them on filtering and they're doing a pretty good job," said an executive at a major media company that has been critical in the past of YouTube's antipiracy efforts. "We're pretty impressed with the results and their ability to identify our clips and allow us to automate the process."

Google has piqued the interest of some in Hollywood with new ad-delivery and content-tracking technology that the company is developing

Google has also piqued the interest of some in Hollywood with new ad-delivery and content-tracking technology that the company is developing, according to three studio executives who spoke to CNET News. Google could one day enable content owners to insert ads into unauthorized video clips wherever they might be posted online.

Ricardo Reyes, a YouTube spokesman, declined to comment about Google's business dealings, but did say YouTube's commitment to copyright protection hasn't changed. "We've always been committed to it," he said.

Should Google succeed in convincing Hollywood to share content on YouTube, many of the company's copyright woes could be put behind it. Google could also generate new revenue from selling ads against popular television shows and films.

Hollywood could profit from piracy
As it stands now, Google doesn't advertise against the vast majority of YouTube clips. It can't legally sell ads against pirated content and homemade video at the site is often too controversial or mundane to appeal to advertisers. Licensing more professionally made content could be the answer to Google's disappointing attempts to make money off the volume of content available on YouTube.

The new ad-distribution technology Google is working could go a long way to mitigating the damages caused by copyright violations. A digital fingerprint is made of a piece of video and is used to locate unauthorized clips. If the owner chooses, an ad can be inserted into the video. To do it, Google has been considering a partnership with Auditude, a start-up that has impressed many in Hollywood with this type of technology, according to three sources with knowledge of the talks.

A representative from Auditude declined to comment for this story. A third competitor, Vobile, has also caught the attention of studio executives, said one of the sources.

Google CEO Eric Schmidt hinted that his company was working on this kind of technology during the company's quarterly earnings call on Thursday.

"Lionsgate works with people who upload segments of the Lionsgate movies that they like and they capture them using our ClaimWare content product," Schmidt said.

He continued by saying ClaimWare finds a copyright owner's videos and enables the copyright owner to display ads next to them.

"The days of the 50-50 split between content owners and Web sites are over."
--entertainment executive

These kinds of systems, however, don't solve all of the entertainment industry's problems, said one executive at a major media company. Film studios would be profiting from (rather than punishing) piracy. "Sure, it's easy to say, 'Wouldn't it make sense to monetize these unauthorized clips,'" said the source. "But if you say 'Go ahead and make unauthorized copies. We'll just make money off of them' aren't you legitimizing piracy?"

Did litigation and mediocre revenues change Google's tune?
None of the people who spoke to CNET News knows for certain what led Google to soften its approach toward the entertainment sector.

But few in Hollywood have missed Schmidt's recent comments that YouTube is struggling to make significant income. YouTube is also defending itself against a $1 billion copyright infringement suit filed by Viacom last year.

And while YouTube is still the Web's dominant video site, with 34 percent of the market according to ComScore, the site has begun to see major entertainment players gravitate toward competitors, such as Hulu, the video portal backed by NBC Universal and News Corp.

Hulu may have already hurt YouTube and Google in one significant way, according to one media executive. The portal has helped to establish revenue splits between online video distributors and content owners.

"The days of the 50-50 split between content owners and Web sites are over," said the executive. "Content owners are not going to take less than 70 percent anymore and some are getting 90 percent. In Hulu's case, 70 percent goes to the content owner. Hulu takes 20 and the Web sites who have distribution deals get 10 percent."

These aren't close to what Google was willing to accept in the past, but the search giant now appears more willing to compromise, said two studio executives.

Conversely, the studios realize that Google, despite concerns over YouTube revenues, isn't exactly playing a weak hand: YouTube has more than 70 million unique monthly visitors, making it the third-most visited site on the Web.

"YouTube and Google were the 800-pound gorilla (in the online video sector)," said one of the executives who has been involved in negotiations with the companies. "They had all the distribution and all this pirated content and you couldn't monetize without them."

On Monday evening, Viacom CEO Philippe Dauman respond to questions posed by reporters at a gathering in San Francisco and said in his view YouTube started out as a "rogue company." Google's hardball negotiating tactics with the studios and TV networks only served to further alienate decision makers in the entertainment sector, he suggested.

Dauman said that eventually Google must learn the value of "making friends."

Tuesday, July 22, 2008

manny pacquiao vs. david diaz




The most exciting pinoy boxer...

manny pacquiao vs. david diaz




The most exciting pinoy boxer...

The 10 best Filipino fighters

The 10 best Filipino fighters


On Saturday, Manny Pacquiao attempts to enhance an already formidable legacy and stamp his frenetic brand of boxing into Filipino history books. It is an impressive book, chronicling a saga that reaches back to the 1920's.

And while Pacquiao's popularity is unrivaled, it's not the first time a Filipino boxer headed a list of most admired persons of the island nation. But if Pacquiao's legacy is as great as most believe, it will spawn a new generation of boxers that will try to emulate his near legendary status, perhaps landing on this list 20 years from now.

Manny Pacquiao

AP Photo/Bullit Marquez

When it comes to his place among Filipino greats, Manny Pacquiao is a work in progress.

The Philippines have a long and proud boxing history, stretching back to the late 1890's when the first Filipinos began to launch their fists for pay. Boxing came to the island via American soldiers, who used sport to bond with the local population. To date, that cultural bonding initiative has produced 28 champions, beginning with Pancho Villa in 1923 and culminating with Gerry Penalosa's ascension to champion status this year.

Not included in this list are any active boxers, so Pacquiao and Penalosa are not eligible. This was done because it's hard to place someone whose work is still in progress, and it allows me to bring names to the forefront that the public might not be aware of. American boxers of Filipino extraction like Brian Viloria and Jesus Salud were omitted as well.

10A. Anthony Villanueva -- Villanueva is an exception in Filipino boxing, an amateur star who never matriculated to the paid ranks. Villanueva was an outstanding amateur who competed in the 1964 Olympics and won the silver medal at featherweight. Many believe the 19 year old should have been awarded the gold, and that Russia's Stanislav Stepashkin was given preferential treatment from judges swayed by politics. It was a close 3-2 verdict, and came on the heels of Villanueva defeating American favorite Charles Brown 4-1 in the quarterfinals. The ringside radio reporter was stunned, and told his nation "We were robbed."

10. Rene Barrientos (39-7-2, 1962-1978) -- It seemed like this southpaw was destined to be a runner-up his entire career, but the WBC's habit of stripping champions gave him an opening. Barrientos gained fans in losing a decision to the legendary Flash Elorde early in his career, and he handed streaking countryman Love Allotey a loss later that same year. He fought successfully for the next two years, moving up the ratings and traveling to Japan, Panama and Venezuela. In his first title bout, he was unlucky to draw with Hiroshi Kobayashi in Japan, and was rewarded with a second title shot when Kohayashi was stripped. He took advantage of that by defeating Californian Ruben Navarro, but lost the title in his first defense to Yoshiaki Numata. A rematch ended in a split decision loss, again in Japan. Barrientos needed more power to mix with the elite.

9. Eribito Salavarria (39-11-3, 1963-1978) -- Salavarria was another fighter in a long line of great Filipino flyweights, and the first Filipino to regain his world title. He got a shot at the Orient crown after splitting four fights with Ric Magramo for the Filipino title, but lost a split decision in Japan to Tsuyoshi Nakamura. He went on a three year unbeaten streak after the loss, including a second-round knockout of WBC champion Chartchai Chionoi in Thailand. He defended the title twice on the road (defeating future champion Betulio Gonzalez), then lost his title to Venice Borkhorsor in Thailand. Salavarria showed mental strength by reclaiming the title with a win over Susumu Hanagata (the second time he took his title) in Japan. Hanagata got revenge, and won the title back via another split decision. Salavarria got one more title chance, but was stopped for the first time by Alfonso Lopez. Inconsistency plagued Salavarria, who lost non-title fights in two important trips to America.

8. Dodie Boy Penalosa (31-7-2, 1982-1995) -- Penalosa was an all-around boxer whose story outside the ring was just as inspiring as it was inside the ropes. Penalosa overcame the childhood disease of Polio, which made his left leg shorter than his right, to battle the world's elite. A quick study, he turned pro at the beginning of 1982, and was fighting for the IBF title in December of 1983. He won that title in his 13th fight, and made three defenses. The southpaw gave up the junior flyweight title and moved up to face WBA flyweight champion Hilario Zapata. Penalosa lost that battle of speedsters, but rebounded to win the IBF title two fights later. He was shockingly knocked out in his first defense, and lost a close title fight to Dave McAuley in England two years later. It was his last appearance on the world stage, even though he continued to fight for five more years. Four of his seven loses came in an ill-advised comeback.

7. Rolando Navarette (54-15-3, 1973-1991) -- The high stakes gambler of this list, he either won or went down in a blaze of glory. It took seven years for the power puncher to get a title shot, after fighting everyone in Asia with mixed success. He was bombed out in five rounds by Alexis Arguello, so it came as a surprise when he got another title shot one year later (having lost, and not beaten anyone of note). Cornelius Boza-Edwards made a tactical mistake slugging with the wild southpaw, and was knocked out in five rounds. Navarette became an instant star at home, and partied his way out of the title after one defense. Navarette did not give up his title easily, losing an inspired war of attrition to Mexican Rafael Limon. Still a dangerous puncher, he never got another title shot, and his only win of note was a 10-round decision over Limon after he had lost the title. He was convicted of rape and spent time in jail, and his life continues to spiral downwards in Hawaii.

"Will To Win"
TV lineup for the "Will To Win" HBO PPV card Saturday night (9 ET) from the Mandalay Bay Events Center in Las Vegas:

• Junior lightweights: Manny Pacquiao (44-3-2, 35 KOs) vs. Marco Antonio Barrera (63-5, 42 KOs), rematch, 12 rounds. Referee: Tony Weeks. Judges: Jerry Roth, Glenn Trowbridge, Tom Schreck.

• Featherweights: Steven Luevano (33-1, 15 KOs) vs. Antonio Davis (24-3, 12 KOs), 12 rounds, for Luevano's title

• Super middleweights: Librado Andrade (25-1, 19 KOs) vs. Yusaf Mack (24-3, 12 KOs), 12 rounds

• Junior welterweights: Steve Forbes (32-5, 9 KOs) vs. Francisco Bojado (18-2, 12 KOs), 10 rounds

-- Dan Rafael

6. Ceferino Garcia (102-28-12, 1926-1945) -- Garcia began to box after he was refused admission into the U.S. Navy. He holds the distinction of being the Filipino to win a title at the highest weight category, winning the world middleweight title. He won the title despite not being a natural middleweight, moving up to the 160-pound ranks after losing title shots at welterweight against Barney Ross and Henry Armstrong. So it came as a shock to many when he knocked out middleweight champ Fred Apostoli in seven round, and not so shocking when he lost the title seven months later to Ken Overlin. Garcia still had a huge right hand, but was really in decline by the time he won the world title. World War II prevented Garcia from taking advantage of his former champ status. On a side note, it was Garcia, not Kid Gavilan, who first brought the 'bolo punch' to prominence.

5. Small Montana (82-24-10, 1931-1942) -- A chiseled body belied the light punching stylist's real talent. The son of a police chief, he ran away from home to become a boxer. Inspired to fight by Pancho Villa, he always carried a picture of his hero with him. An argument can be made that he should be rated as one of the 10 best flyweights ever, considering a 11-year career that took place on the road the majority of the time. From the late 1920's to the mid 1930's, the flyweight title was mired in a state of confusion, with many claiming the title. Montana was recognized by the New York State authorities after he defeated Midget Wolgast. He held that distinction for two years, then Benny Lynch took a 15 round decision from him in a unification match. He had a good series of fights with Jackie Jurich over the next two years, and lost a showdown of Filipino greats to the younger Little Dado.

4. Little Dado (45-4-9, 1936-1943) -- Ranked ahead of Montana based on head-to-head performance, even though he never won recognition as a consensus world champion. He competed well at flyweight and bantamweight, but did his best work in the flyweight ranks. He fought against the elite from the outset, and laid claim to the California version of the world flyweight and bantamweight titles. While he was not a hard puncher, he delivered stinging blows. It showed when he knocked Jackie Jurich down six times in 10 rounds. If allowed to box on the outside, using his fleet feet, he could control anyone of the era. However, it was an era of infighting, and as Dado moved up in weight he lost his advantages as the rounds wore on.

3. Luisito Espinosa (47-13, 1984-2005) -- Like Pacquiao, Espinosa made his name as a thorn in the side of Mexican boxers. The son of a boxer, he was one of 14 kids and began to box at age 7. At 5-foot-7 he was a very tall bantamweight, and he used his long reach well enough to make him equally effective at featherweight. His weak spot was a shaky chin, and he could fade late in bouts. From 1994 to 1998, he was undefeated, and it is the only time Espinosa showed consistency. In that stretch he defeated Jibaro Perez, Manuel Medina (twice), Alejandro Gonzalez, Cesar Soto, and Kennedy McKinney. Other than that stretch, Espinosa could be counted on to drop fights he should have won and fought down to the level of his opposition. He skipped over the junior featherweight division to win, and defend, world titles at bantamweight and featherweight.

3. Ben Villaflor (54-8-7, 1966-1976) -- A southpaw with some pop in his punches, Villaflor turned pro at 15 and was out of the game by age 23. Born in The Philippines, he boxed mostly out of Hawaii, starting in his fourth pro year, where economic conditions were better. An iron chinned battler who wore opponents down with pressure, he was not battle tested before his title shot (losing six of those fights), with his best wins coming over aging title challengers Frankie Crawford and Raul Cruz. Villaflor did take full advantage of the opportunity, and delivered a career best performance by defeating Alfredo Marcano. It looked like a short-lived title reign when he was defeated by Kuniaki Shibata at home. He showed grit when he knocked out Shibata in the rematch, and an impressive title reign followed. Japan's Yasutsune Uehara could not last into the third round, and Villaflor showed heart by knocking down Korean challenger Hyun Chi Kim three times to retain his title by split decision. Slick Puerto Rican Samuel Serrano drew controversially with Villaflor in Hawaii before taking the title in San Juan by decision in a mandated rematch. His style was not conducive to longevity, and he retired to manage boxers.

2. Flash Elorde (88-27-2, 1951-1971) -- Elorde remains the most popular Filipino boxer ever, heralded by mature Filipino boxing fans as the best the nation has produced in or out of the ring. He still holds the junior lightweight division record for the lengthiest title reign, an impressive seven-year span in which he made 10 defenses and almost single-handedly legitimized the division. He twice lost close fights for the featherweight and lightweight titles. It's hard to knock this smooth boxer in any department, and he made the most of his southpaw stance with frequent use of an accurate left hook. As his name suggests, speed was his forte and led to most of his victories. Learned his craft the hard way, starting his pro career at age 16, and not moving into title contention until well after his 16th bout. A sports writer of the time aptly described an Elorde fight: "His legs almost shot from under him, his face a rucksack of welts, cuts, and bruises, his eyes mere slits, Elorde would pull that courage from some inner, invisible scabbard, and turn the tide."

1. Pancho Villa (91-8-4, 1919-1925) -- The first Filipino world champion, his win propelled the tiny nation onto the fistic landscape. Sadly, we never got to see the best of Villa, since he died at age 24 of blood poisoning. Villa packed 100 fights into six years, and excited fans with a take-no-prisoners style. He won two national titles, fighting larger men, before venturing to America to make his name. Success did not come immediately when he was matched tough in close defeats to future champ Frankie Genaro and Abe Goldstein. Genaro had Villa's number, and defeated him twice more (once for the American flyweight title). No one else could emulate Genaro's success, and Villa tore through American flyweights along the East Coast. He gained international acclaim when he defeated Jimmy Wilde, who was unable to keep the fight at a distance. Villa tore into his body, and an exhausted Wilde was stopped in the seventh. Villa held the title for three years, but in his last bout (a non-title affair) Hall of Famer Jimmy McLarnin won a 10 round decision. Villa was obviously affected by an infected tooth he had extracted the morning of the fight, and he had three more pulled two days later. He died of blood poisoning from those procedures, the same day his wife gave birth to Villa's son. She loudly proclaimed Villa was murdered, by an intentional overdose of anesthesia ordered by a gambling syndicate.





The 10 best Filipino fighters

The 10 best Filipino fighters


On Saturday, Manny Pacquiao attempts to enhance an already formidable legacy and stamp his frenetic brand of boxing into Filipino history books. It is an impressive book, chronicling a saga that reaches back to the 1920's.

And while Pacquiao's popularity is unrivaled, it's not the first time a Filipino boxer headed a list of most admired persons of the island nation. But if Pacquiao's legacy is as great as most believe, it will spawn a new generation of boxers that will try to emulate his near legendary status, perhaps landing on this list 20 years from now.

Manny Pacquiao

AP Photo/Bullit Marquez

When it comes to his place among Filipino greats, Manny Pacquiao is a work in progress.

The Philippines have a long and proud boxing history, stretching back to the late 1890's when the first Filipinos began to launch their fists for pay. Boxing came to the island via American soldiers, who used sport to bond with the local population. To date, that cultural bonding initiative has produced 28 champions, beginning with Pancho Villa in 1923 and culminating with Gerry Penalosa's ascension to champion status this year.

Not included in this list are any active boxers, so Pacquiao and Penalosa are not eligible. This was done because it's hard to place someone whose work is still in progress, and it allows me to bring names to the forefront that the public might not be aware of. American boxers of Filipino extraction like Brian Viloria and Jesus Salud were omitted as well.

10A. Anthony Villanueva -- Villanueva is an exception in Filipino boxing, an amateur star who never matriculated to the paid ranks. Villanueva was an outstanding amateur who competed in the 1964 Olympics and won the silver medal at featherweight. Many believe the 19 year old should have been awarded the gold, and that Russia's Stanislav Stepashkin was given preferential treatment from judges swayed by politics. It was a close 3-2 verdict, and came on the heels of Villanueva defeating American favorite Charles Brown 4-1 in the quarterfinals. The ringside radio reporter was stunned, and told his nation "We were robbed."

10. Rene Barrientos (39-7-2, 1962-1978) -- It seemed like this southpaw was destined to be a runner-up his entire career, but the WBC's habit of stripping champions gave him an opening. Barrientos gained fans in losing a decision to the legendary Flash Elorde early in his career, and he handed streaking countryman Love Allotey a loss later that same year. He fought successfully for the next two years, moving up the ratings and traveling to Japan, Panama and Venezuela. In his first title bout, he was unlucky to draw with Hiroshi Kobayashi in Japan, and was rewarded with a second title shot when Kohayashi was stripped. He took advantage of that by defeating Californian Ruben Navarro, but lost the title in his first defense to Yoshiaki Numata. A rematch ended in a split decision loss, again in Japan. Barrientos needed more power to mix with the elite.

9. Eribito Salavarria (39-11-3, 1963-1978) -- Salavarria was another fighter in a long line of great Filipino flyweights, and the first Filipino to regain his world title. He got a shot at the Orient crown after splitting four fights with Ric Magramo for the Filipino title, but lost a split decision in Japan to Tsuyoshi Nakamura. He went on a three year unbeaten streak after the loss, including a second-round knockout of WBC champion Chartchai Chionoi in Thailand. He defended the title twice on the road (defeating future champion Betulio Gonzalez), then lost his title to Venice Borkhorsor in Thailand. Salavarria showed mental strength by reclaiming the title with a win over Susumu Hanagata (the second time he took his title) in Japan. Hanagata got revenge, and won the title back via another split decision. Salavarria got one more title chance, but was stopped for the first time by Alfonso Lopez. Inconsistency plagued Salavarria, who lost non-title fights in two important trips to America.

8. Dodie Boy Penalosa (31-7-2, 1982-1995) -- Penalosa was an all-around boxer whose story outside the ring was just as inspiring as it was inside the ropes. Penalosa overcame the childhood disease of Polio, which made his left leg shorter than his right, to battle the world's elite. A quick study, he turned pro at the beginning of 1982, and was fighting for the IBF title in December of 1983. He won that title in his 13th fight, and made three defenses. The southpaw gave up the junior flyweight title and moved up to face WBA flyweight champion Hilario Zapata. Penalosa lost that battle of speedsters, but rebounded to win the IBF title two fights later. He was shockingly knocked out in his first defense, and lost a close title fight to Dave McAuley in England two years later. It was his last appearance on the world stage, even though he continued to fight for five more years. Four of his seven loses came in an ill-advised comeback.

7. Rolando Navarette (54-15-3, 1973-1991) -- The high stakes gambler of this list, he either won or went down in a blaze of glory. It took seven years for the power puncher to get a title shot, after fighting everyone in Asia with mixed success. He was bombed out in five rounds by Alexis Arguello, so it came as a surprise when he got another title shot one year later (having lost, and not beaten anyone of note). Cornelius Boza-Edwards made a tactical mistake slugging with the wild southpaw, and was knocked out in five rounds. Navarette became an instant star at home, and partied his way out of the title after one defense. Navarette did not give up his title easily, losing an inspired war of attrition to Mexican Rafael Limon. Still a dangerous puncher, he never got another title shot, and his only win of note was a 10-round decision over Limon after he had lost the title. He was convicted of rape and spent time in jail, and his life continues to spiral downwards in Hawaii.

"Will To Win"
TV lineup for the "Will To Win" HBO PPV card Saturday night (9 ET) from the Mandalay Bay Events Center in Las Vegas:

• Junior lightweights: Manny Pacquiao (44-3-2, 35 KOs) vs. Marco Antonio Barrera (63-5, 42 KOs), rematch, 12 rounds. Referee: Tony Weeks. Judges: Jerry Roth, Glenn Trowbridge, Tom Schreck.

• Featherweights: Steven Luevano (33-1, 15 KOs) vs. Antonio Davis (24-3, 12 KOs), 12 rounds, for Luevano's title

• Super middleweights: Librado Andrade (25-1, 19 KOs) vs. Yusaf Mack (24-3, 12 KOs), 12 rounds

• Junior welterweights: Steve Forbes (32-5, 9 KOs) vs. Francisco Bojado (18-2, 12 KOs), 10 rounds

-- Dan Rafael

6. Ceferino Garcia (102-28-12, 1926-1945) -- Garcia began to box after he was refused admission into the U.S. Navy. He holds the distinction of being the Filipino to win a title at the highest weight category, winning the world middleweight title. He won the title despite not being a natural middleweight, moving up to the 160-pound ranks after losing title shots at welterweight against Barney Ross and Henry Armstrong. So it came as a shock to many when he knocked out middleweight champ Fred Apostoli in seven round, and not so shocking when he lost the title seven months later to Ken Overlin. Garcia still had a huge right hand, but was really in decline by the time he won the world title. World War II prevented Garcia from taking advantage of his former champ status. On a side note, it was Garcia, not Kid Gavilan, who first brought the 'bolo punch' to prominence.

5. Small Montana (82-24-10, 1931-1942) -- A chiseled body belied the light punching stylist's real talent. The son of a police chief, he ran away from home to become a boxer. Inspired to fight by Pancho Villa, he always carried a picture of his hero with him. An argument can be made that he should be rated as one of the 10 best flyweights ever, considering a 11-year career that took place on the road the majority of the time. From the late 1920's to the mid 1930's, the flyweight title was mired in a state of confusion, with many claiming the title. Montana was recognized by the New York State authorities after he defeated Midget Wolgast. He held that distinction for two years, then Benny Lynch took a 15 round decision from him in a unification match. He had a good series of fights with Jackie Jurich over the next two years, and lost a showdown of Filipino greats to the younger Little Dado.

4. Little Dado (45-4-9, 1936-1943) -- Ranked ahead of Montana based on head-to-head performance, even though he never won recognition as a consensus world champion. He competed well at flyweight and bantamweight, but did his best work in the flyweight ranks. He fought against the elite from the outset, and laid claim to the California version of the world flyweight and bantamweight titles. While he was not a hard puncher, he delivered stinging blows. It showed when he knocked Jackie Jurich down six times in 10 rounds. If allowed to box on the outside, using his fleet feet, he could control anyone of the era. However, it was an era of infighting, and as Dado moved up in weight he lost his advantages as the rounds wore on.

3. Luisito Espinosa (47-13, 1984-2005) -- Like Pacquiao, Espinosa made his name as a thorn in the side of Mexican boxers. The son of a boxer, he was one of 14 kids and began to box at age 7. At 5-foot-7 he was a very tall bantamweight, and he used his long reach well enough to make him equally effective at featherweight. His weak spot was a shaky chin, and he could fade late in bouts. From 1994 to 1998, he was undefeated, and it is the only time Espinosa showed consistency. In that stretch he defeated Jibaro Perez, Manuel Medina (twice), Alejandro Gonzalez, Cesar Soto, and Kennedy McKinney. Other than that stretch, Espinosa could be counted on to drop fights he should have won and fought down to the level of his opposition. He skipped over the junior featherweight division to win, and defend, world titles at bantamweight and featherweight.

3. Ben Villaflor (54-8-7, 1966-1976) -- A southpaw with some pop in his punches, Villaflor turned pro at 15 and was out of the game by age 23. Born in The Philippines, he boxed mostly out of Hawaii, starting in his fourth pro year, where economic conditions were better. An iron chinned battler who wore opponents down with pressure, he was not battle tested before his title shot (losing six of those fights), with his best wins coming over aging title challengers Frankie Crawford and Raul Cruz. Villaflor did take full advantage of the opportunity, and delivered a career best performance by defeating Alfredo Marcano. It looked like a short-lived title reign when he was defeated by Kuniaki Shibata at home. He showed grit when he knocked out Shibata in the rematch, and an impressive title reign followed. Japan's Yasutsune Uehara could not last into the third round, and Villaflor showed heart by knocking down Korean challenger Hyun Chi Kim three times to retain his title by split decision. Slick Puerto Rican Samuel Serrano drew controversially with Villaflor in Hawaii before taking the title in San Juan by decision in a mandated rematch. His style was not conducive to longevity, and he retired to manage boxers.

2. Flash Elorde (88-27-2, 1951-1971) -- Elorde remains the most popular Filipino boxer ever, heralded by mature Filipino boxing fans as the best the nation has produced in or out of the ring. He still holds the junior lightweight division record for the lengthiest title reign, an impressive seven-year span in which he made 10 defenses and almost single-handedly legitimized the division. He twice lost close fights for the featherweight and lightweight titles. It's hard to knock this smooth boxer in any department, and he made the most of his southpaw stance with frequent use of an accurate left hook. As his name suggests, speed was his forte and led to most of his victories. Learned his craft the hard way, starting his pro career at age 16, and not moving into title contention until well after his 16th bout. A sports writer of the time aptly described an Elorde fight: "His legs almost shot from under him, his face a rucksack of welts, cuts, and bruises, his eyes mere slits, Elorde would pull that courage from some inner, invisible scabbard, and turn the tide."

1. Pancho Villa (91-8-4, 1919-1925) -- The first Filipino world champion, his win propelled the tiny nation onto the fistic landscape. Sadly, we never got to see the best of Villa, since he died at age 24 of blood poisoning. Villa packed 100 fights into six years, and excited fans with a take-no-prisoners style. He won two national titles, fighting larger men, before venturing to America to make his name. Success did not come immediately when he was matched tough in close defeats to future champ Frankie Genaro and Abe Goldstein. Genaro had Villa's number, and defeated him twice more (once for the American flyweight title). No one else could emulate Genaro's success, and Villa tore through American flyweights along the East Coast. He gained international acclaim when he defeated Jimmy Wilde, who was unable to keep the fight at a distance. Villa tore into his body, and an exhausted Wilde was stopped in the seventh. Villa held the title for three years, but in his last bout (a non-title affair) Hall of Famer Jimmy McLarnin won a 10 round decision. Villa was obviously affected by an infected tooth he had extracted the morning of the fight, and he had three more pulled two days later. He died of blood poisoning from those procedures, the same day his wife gave birth to Villa's son. She loudly proclaimed Villa was murdered, by an intentional overdose of anesthesia ordered by a gambling syndicate.





Manny Pacquiao "The MexiCutioner"




**MUST READ**
**I DID NOT MAKE THIS VID**
TITLE S...

Manny Pacquiao "The MexiCutioner"




**MUST READ**
**I DID NOT MAKE THIS VID**
TITLE S...

MARKETING




MARKETING




Finally… a TV show that takes the Filipino youth seriously.

Finally… a TV show that takes the Filipino youth seriously.

      …… Voice of the Youth TV … VOTY TV!

          Para sa Kabataan… Boses ng Kabataan! 

Ito na ang pagkakataon mo!

      And it’s about time!

          Voice out, be heard and be seen!

            Moment mo ‘to! 
       

VOTY TV is the latest youth-oriented magazine – talk show to hit your tube!

It’s informative! Inspiring! Involving and Empowering!

And most of all it’s all about you!

VOTY TV! Para sa Kabataan… Boses ng Kabataan! 

…With segments that truly celebrate the youth!  

Moment ko ‘to honors the views and vision of the Filipino youth! Dahil kayo ang bida rito!  

Voice of the Week introduces the fascinating world of the voice acting industry! Boses mo, ipagmalaki mo! 

Career 911 helps you out on your career, your job and your goals! Kaagapay mo! 

Youth Tube is all about the youth and the cyberspace! Online ka na, On-air ka pa! 

Say You, Say Me.. Say it Together! Dahil may say ka rito! 

Voice of the Youth TV … VOTY TV!

          Para sa Kabataan… Boses ng Kabataan! 

Every Monday 5 pm, Global News Network… Destiny Cable Channel 3 

VOTY TV is presented by Creativoices Productions, Voice of the Youth Network and Society of Young Voice Artists of the Philippines.  

Who we are… 

CREATIVOICES PRODUCTIONS is the only Philippine based online voice-over company that delivers voiceovers within 72 hours of an order. Clients are discovering this fast, credible and simple way to order voice over and production services. Providing you with nothing short of professional    service, our talented lineup of field experts is at your disposal from concepts to application. Contact us to think, execute, and deliver. With years of connections and established productions, we have what it takes to back up our name. Creativoices Productions. We Think Globally, Voice Act locally.  
 
 
 
 
 
 
 
 
 

SOCIETY OF YOUNG VOICE ARTISTS OF THE PHILIPPINES promotes voice acting as an art. We believe in our God-given talents that through them, we may contribute to the development of our community, government and nation. We are committed to utilize to the maximum potential our gifts to inspire, help and develop the talents of aspiring young voice artists in the Philippines through training and standardized programs. 

Truth and honesty is our guide in rendering our talents to any given corporate projects, may it be in advertising, dubbing, events or in any related field. We advocate moral values and concern for social issues that affect the quality of life of our fellow Filipinos. 

We believe in excellence, competence and innovation. We make use of modern technology to upgrade the quality of voice over outputs. We strive for creativity, resourcefulness and productivity in all production. We are dedicated to professionalism and discipline. 
 

VOICE OF THE YOUTH NETWORK, Recipient of GLOBAL YOUTH IN ACTION AWARDS 2004 (New York, USA) and  YOUTH ACTION NET AWARD OF THE INTERNATIONAL YOUTH FOUNDATION 2003, is all about empowering the Filipino youth. By sharing information and by involving others in different youth activities, they are inspired that other organizations are doing a lot in their respective communities. Because they are inspired, they are willing to duplicate, innovate or do something different that would have an impact to their communities. A Youth Informed and Involved, is a Youth in POWER. 

Finally… a TV show that takes the Filipino youth seriously.

Finally… a TV show that takes the Filipino youth seriously.

      …… Voice of the Youth TV … VOTY TV!

          Para sa Kabataan… Boses ng Kabataan! 

Ito na ang pagkakataon mo!

      And it’s about time!

          Voice out, be heard and be seen!

            Moment mo ‘to! 
       

VOTY TV is the latest youth-oriented magazine – talk show to hit your tube!

It’s informative! Inspiring! Involving and Empowering!

And most of all it’s all about you!

VOTY TV! Para sa Kabataan… Boses ng Kabataan! 

…With segments that truly celebrate the youth!  

Moment ko ‘to honors the views and vision of the Filipino youth! Dahil kayo ang bida rito!  

Voice of the Week introduces the fascinating world of the voice acting industry! Boses mo, ipagmalaki mo! 

Career 911 helps you out on your career, your job and your goals! Kaagapay mo! 

Youth Tube is all about the youth and the cyberspace! Online ka na, On-air ka pa! 

Say You, Say Me.. Say it Together! Dahil may say ka rito! 

Voice of the Youth TV … VOTY TV!

          Para sa Kabataan… Boses ng Kabataan! 

Every Monday 5 pm, Global News Network… Destiny Cable Channel 3 

VOTY TV is presented by Creativoices Productions, Voice of the Youth Network and Society of Young Voice Artists of the Philippines.  

Who we are… 

CREATIVOICES PRODUCTIONS is the only Philippine based online voice-over company that delivers voiceovers within 72 hours of an order. Clients are discovering this fast, credible and simple way to order voice over and production services. Providing you with nothing short of professional    service, our talented lineup of field experts is at your disposal from concepts to application. Contact us to think, execute, and deliver. With years of connections and established productions, we have what it takes to back up our name. Creativoices Productions. We Think Globally, Voice Act locally.  
 
 
 
 
 
 
 
 
 

SOCIETY OF YOUNG VOICE ARTISTS OF THE PHILIPPINES promotes voice acting as an art. We believe in our God-given talents that through them, we may contribute to the development of our community, government and nation. We are committed to utilize to the maximum potential our gifts to inspire, help and develop the talents of aspiring young voice artists in the Philippines through training and standardized programs. 

Truth and honesty is our guide in rendering our talents to any given corporate projects, may it be in advertising, dubbing, events or in any related field. We advocate moral values and concern for social issues that affect the quality of life of our fellow Filipinos. 

We believe in excellence, competence and innovation. We make use of modern technology to upgrade the quality of voice over outputs. We strive for creativity, resourcefulness and productivity in all production. We are dedicated to professionalism and discipline. 
 

VOICE OF THE YOUTH NETWORK, Recipient of GLOBAL YOUTH IN ACTION AWARDS 2004 (New York, USA) and  YOUTH ACTION NET AWARD OF THE INTERNATIONAL YOUTH FOUNDATION 2003, is all about empowering the Filipino youth. By sharing information and by involving others in different youth activities, they are inspired that other organizations are doing a lot in their respective communities. Because they are inspired, they are willing to duplicate, innovate or do something different that would have an impact to their communities. A Youth Informed and Involved, is a Youth in POWER. 

Monday, July 21, 2008

VOICEWORX 6! BASIC VOICE ACTING AND DUBBING WORKSHOP

Start:     Oct 4, '08 09:00a
End:     Nov 29, '08 5:00p
Location:     voice acting
Join VoiceWorx!

Its the most comprehensive workshop on Voice Acting and Dubbing for Telenovelas and Anime!

You can be part of an 8-week long seminar that will do wonders for the way you speak and perform. If you've always wanted to become a dubber for telenovelas and anime, or improve how people listen to you speak, then this is the way to go!



This 2month Voice acting course guarantees to perk up that personality in your voice!

Listen to what people are saying!



"I have never found anything close to what CreatiVoices has offered, thanks to VoiceWorx! I feel more confident in speaking up and performing behind the microphone.." - Jeff Marty Dimaano, 1st batch VoiceWorx!, now also a regular dubber and President of SYVAP



"This has definitely opened up new ideas on what I can do with my voices!.." - Gabrielle Tiongson, barely 18 years old when she took the seminar, now a regular voice talent at ABS-CBN.



"I landed the job of Official Voiceover at Manny Pacquiao's Show, Pinoy Records!.." - Heinie Hartendorp, former Radio jock, turned professional voice actor.



"Thanks to you guys, I'm one of the cast of the English dubbed Version of Maging Sino Ka Man.." - Pia Serrapio, doing several voice gigs since she last attended VoiceWorx!



More testimonials at: syvap.multiply.com

or CLICK HERE!



How do you join?!

Just make a P1000 reservation fee (non-refundable) to guarantee your seat for the Voice Acting Workshop.

Regular Classes: Once a week, every Saturdays.

r1 Class A: Sessions 1,2,3 10:00am - 12:00nn Sessions 4,5,6 9:00am - 12:00nn Sessions 7 & 8 10:00am - 12:00nn

r2 Class B: Sessions 1,2,3 2:00pm - 4:00pm Sessions 4,5,6 2:00pm - 5:00pm Sessions 7 & 8 2:00pm - 4:00pm

For more details about this workshop, sign-up now by clicking on the link below: REGISTER NOW! Or copy and paste this link to your browser: http://creativoices.net/blog/?page_id=10

You can also drop by at our office and pay in partial or full. The P1000 reservation fee will be deducted from your Seminar fee of P8000.00. The good news is you can now pay bank to bank. Please make the reservation fee or downpayment to the following account: Acct Name : CreatiVoices Productions / Pocholo Gonzales Bank : Bank of the Philippine Islands ( BPI) Branch : Buendia-Dian Acct. No. : 3716-8607-58

After which kindly fax us a bank statement with your contact details (name,address, mobile, email) at 729-7274 depositing the said amount. Also please indicate your choice of class schedule, R1 or R2. You can also email us a copy of the scanned statement at voiceworx@creativoices.com

If you wish to pay in full or may a downpayment of 50% this is also possible.

HURRY UP, BEFORE SEATS RUN OUT!

To register offline, simply drop by at the studio at the 3rd floor Left Wing Lightblue Bldg. 1745 Dian St. Palanan Makati City. For directions on how to get there you can check our online map here. Creativoices Studios

If the link doesn't work, copy this to your browser: http://creativoices.net/blog/?page_id=8 There is a google map of CreatiVoices studios at the page link above, so you can easily find the exact location of the seminar area. For directions on how to get to our workshop you may call: (632) 729.7274 or 970.0971 (from 9am - 6pm, Mon-Fridays only) Visit our website at www.creativoices.net and creativoices.com

Let's Be Great this 2008! $.$.$.$.$.$.$.$.$.$.$.$.$.$.$.$.$.$.$.$. More information!!! $.$.$.$.$.$.$.$.$.$.$.$.$.$.$.$.$.$.$.$.

What is a Voice-Over?

" A voice over is any recording or performance by one or more unseen voices for the purpose of communicating a message" – James Alburger. Any message you hear without seeing the performer is considered to be voice-over. This means voice-over is all around us! Whether you are listening to the radio, watching movies or television, dining at your fast food restaurant or riding the rail transit, voice-overs can be heard!

Is doing Voice-overs hard?

Voice-overs can actually be done by anyone! And it's a very rewarding job indeed. A lot of Voice Talents are being paid to play and many professional voice-overs get their kick out of the industry just by enjoying what they do. Anybody can do a voice-over, but not everybody can do voice acting.

So what is Voice Acting?

Voice acting is an art. And like all other art forms it has tools and techniques which must be mastered in order for you to succeed in the level of success you want to deserve. Its about finding the kid in you. It requires dedication and passion for doing Voice-over jobs, and lots of patience to master the skills. True, not everyone can do voice acting, but anybody can benefit from learning how it works. In fact, many of the students in Creativoices Clinic don't pursue voice-over jobs, but need the voice acting skills to further themselves in their chosen field.

How do I benefit from Voice Acting lessons?

If you want to break into the world of voice-overs, then voice acting is a must for you. By knowing how to express yourself properly, you can create real and believable characters for commercials, narrations, radio drama and most especially animation. With voice acting you can liven up a conversation and get the attention you want, whether its on a business or a personal level. If you or your job requires you to:

1. Communicate with other people on the same or higher business level. 2. Prepare Scripts, Write-ups or Citations for Productions 3. Talk to customers or clients and close business deals fast and efficient. 4. Constantly talk to other people and associates by way of declamation, speech or impromptu performance. 5. Or maybe you love to sing, host or perform for an audience. 6. Express yourself in a creative and entertaining manner.

Who can do Voice-Acting?

Anyone who needs to talk can communicate better when he/she uses voice acting techniques. Which means that even salespersons, promodizers, carpenters, engineers, attorneys, teachers, draftsmen, doctors, nurses, utility personnel, front desk officers, etc.. can learn voice acting, and benefit from expressing or communicating properly and creatively, with their peers.

What about Creativoices Clinic?

Creativoices Clinic is one of the departments of Creativoices Productions – the premier voice over solutions provider in the country. And it is now offering the Creative Voice Acting Workshop, the only one of its kind in the Philippines today. There are many voice acting schools abroad and many Voice talents offering "experience" based teaching, but none offers a detailed and thorough application and training by book and modules like Creativoices Clinic.

What do I expect from the training?

In Creative Voice Acting Workshop, you'll get:

1. Personalized, one on one voice coaching and training throughout the workshop - from real and credible Voice Acting Professionals 2. Information you need to know to become a successful voice actor and communicator. 3. Create real and believable characters from within you and learn how to bring them back when needed. 4. Training materials and assignments to keep you at pace with the workshop and rapidly develop your voice acting skills. 5. Professional Critiques to hear and identify your voice qualities and problems. 6. Knowledge on how to self-market and promote your talent, professionally.

How does it work?

The workshop lasts for about 2-3 intensive hours each session, once a week. There are 3 training modules divided into 8 sessions and categories:

Session 1: The Voice That Works Session 2: Starting Over – What it takes to be a voice talent Session 3: Accents, Dictions, Variety, Articulation and Movement. How to Create Voices. Session 4: Translation and Effective Dubbing delivery Session 5: Creating interesting and unique character voices for Dubbing Session 6: Actors acting. Working with Dubbing dialogues and multi-voice copies. Session 7: Fine tuning your performance, Dubbing Sessions and Voice TAlent Best Kept Secrets Session 8: Mock Auditions with Critique board and Q & A forum

How do I Join?

Sign-up now by clicking on the link below: REGISTER NOW! Or copy and paste this link to your browser:

You can also drop by at our office and pay in partial or full. The P1000 reservation fee will be deducted from your Seminar fee of P8000.00.

Visit us:

Creativoices Studios If the link doesn't work, copy this to your browser: http://creativoices.net/blog/?page_id=8 There is a google map of CreatiVoices studios at the page link above, so you can easily find the exact location of the seminar area. For directions on how to get to our workshop you may call: (632) 729.7274 or 970.0971 (from 9am - 6pm, Mon-Fridays only) Visit our website at www.creativoices.net and creativoices.com

How much does it cost?

For the whole program the total cost is Php 8,000 only. 50% down payment and the remaining balance on the 4th session. It includes fees for the instructor, venue and training materials. A one time, non-refundable reservation fee of Php 1000.00 will guarantee your seat. Students may also take advantage of the referral program.

What is the referral program?

For a limited time only, students can now avail of this special program. Please review the terms and conditions carefully.

1. Applicants must be 18 years old and above and residing in the Philippines. 2. Application forms for the referral program must be fully completed. 3. Only Workshop students may apply for the referral program. 4. Applicants will get Php 1,000 per successful referral. 5. Incentives may be in form of cash or deferred through the candidate's course. Which means if you get 8 successful referrals, you study the whole program for FREE. 6. Incentives can only be claimed if the referrals has paid in full. 7. There are no limits to referrals, and students may still avail of the program even after the course. 8. Creativoices Productions reserves the right to terminate or revoke any referral program at any given time.

-- $.$.$.$.$.$.$.$.$.$.$.$.$.$. VOICEWORX! TEAM Brian Ligsay VoiceWorx! Director http://pcva.blogspot.com www.creativoices.net $.$.$.$.$.$.$.$.$.$.$.$.$.$.

Turning your Voice into Gold.



Much has been said about the skills and talent one must posses to entertain anyone with their voice. Some of us for years, have adored cartoons, anime and telenovela without noticing the most important factor in the show – the voice actor. Many of us dream to take part in a role that will define a popular koreanovela or anime series in television.



So what do you do, to find your way into the business of voice acting? How do you even start auditioning for the roles? What can you do to make your voice silly and make a living out of it. Fortunately there's an easy and effective way to learn this.



From the creators of the Philippine Center for Voice Acting that gave you the first International-based Voice Over Acting Clinic.. CreatiVoices Productions present: VoiceWorx! Basic Voice Acting Workshop.



The seminar features some of the Philippine's best Voice Actors converging into one comprehensive and targeted VO seminar for the voice actor at heart, enthusiasts and those who wish to explore their potential in the arts.



It covers 8 intensive sessions about 2-3 hours each on the art of voice acting, managing your vocal investment, characterization, trade history, and skills and techniques to jumpstart your career in voiceovers. This seminar highlights dubbing for anime and telenovela, taught by leading experts in the field of Television Dubbing.



Participating in this workshop is the father of Dubbing in the Philippines, Danny Mandia who teaches voice acting for dubbers, his direction and supervision includes some of the most beloved animated films in Filipino including, Inuyasha, Zenki, Dog of Flanders, B'Tx, Rorouni Kenshin, Starship Operators, Capricorn, Saber Marionette, and hundreds of others.. Industry experts say you cannot be a "real" dubber without passing through Manny's direction.



Also appearing in the workshop is Alexx Agcaoili, the very talented voice actor and Director for Filipino anime productions like, Fruits Basket, Rave Master, Mobile Suit Gundam, Neon Genesis Evangelion, Beast Machines, Supergals, Babel 1 and 2, Green Rose, and many more. Taking the role of Dr. Smith in the original Filipino Voltes V and Sanosuke Kagara in Samurai X (Rorouni Kenshin). His contribution to the workshop will be in direct supervision of the recording process and applications of voice acting.



The two is teamed up with writer and translator for television, Neil Tolentino. A well known veteran writer in the industry of dubbing. He will cover familiarity with translation, writing skills and techniques for anime and telenovela. As he says, "You should not only know how to act, but to write what you're supposed to act.." Directing in Fortune Quest L, and Saber Marionnet J to X, is just a few of the hundreds of animes and telenovelas he has helped become a success.



Leading the seminar is veteran Voice Performer Brian Mathew Ligsay, who started out as a deejay when he was just 16. Now turning 29, he is the Marketing Director and Chief Operating Officer of CreatiVoices Productions, a company with a platoon of 200 Voice over talents at their disposal. He adds, " Voice acting is an art.. it's a passion. You speak by heart and you work by heart.." He has done thousands of voiceover jobs for narrations, live events, AVPs, the internet, original animation, gaming, multi-media, radio and television dubbing. Credited to his work in anime is his role in the animated series BECK wherein he took 18 character roles in the show. Brian is also a director, producer and writer for original content. He has recently directed and voice casted 2 international animation films in Korea and India.



Pocholo Gonzales steps in as the moderator of the group - a multi-awarded voice talent who outlasts the number of voices he can make. Whenever you hear a Mike Enriquez, Mark Logan, Babalu, FVR, Erap, Juan Flavier sound alike on radio, expect that to be Pocholo. He can do more than 100 voices at any given time and is the CEO and Managing Director of CreatiVoices Productions. Saying, "This seminar is a US-based Voice Over training workshop, localized to fit the Filipino Market.." His exposure to Commercials for Radio and Television provides an extensive source of industry norms and practices one must understand in order to break into the business.



The Workshop which is limited to 10 students per class and starts this new year on October 4, 2008, for the regular classes which is held once a week for 8 Saturdays. Pilot classes are also offered for group attendance, which compresses the entire workshop to about 1 session per day, Mondays to Fridays, so you can finish the seminar in 8 consecutive days. Both offer the same content, but they recommend you take the regular classes if you are just starting in the industry.



"Whatever your skills are, voice acting can help you out..." Ligsay adds. "Any form of verbal communication can be effectively delivered with the use of voice acting. If you constantly work and meet people, write scripts for events, engage in sales or you just want to boost your speaking performance... then this workshop is a must."



Enthusiasts can call 729-7274 for registration, drop by at their office at the 3rd flr Left Wing (Lightblue bldg) 1745 Dian St Palanan Makati City. You can visit their website at www.creativoices.com or email brian@creativoices.com for details about this exciting event. But hurry, time and seminar slots are running out.

VOICEWORX 6! BASIC VOICE ACTING AND DUBBING WORKSHOP

Start:     Oct 4, '08 09:00a
End:     Nov 29, '08 5:00p
Location:     voice acting
Join VoiceWorx!

Its the most comprehensive workshop on Voice Acting and Dubbing for Telenovelas and Anime!

You can be part of an 8-week long seminar that will do wonders for the way you speak and perform. If you've always wanted to become a dubber for telenovelas and anime, or improve how people listen to you speak, then this is the way to go!



This 2month Voice acting course guarantees to perk up that personality in your voice!

Listen to what people are saying!



"I have never found anything close to what CreatiVoices has offered, thanks to VoiceWorx! I feel more confident in speaking up and performing behind the microphone.." - Jeff Marty Dimaano, 1st batch VoiceWorx!, now also a regular dubber and President of SYVAP



"This has definitely opened up new ideas on what I can do with my voices!.." - Gabrielle Tiongson, barely 18 years old when she took the seminar, now a regular voice talent at ABS-CBN.



"I landed the job of Official Voiceover at Manny Pacquiao's Show, Pinoy Records!.." - Heinie Hartendorp, former Radio jock, turned professional voice actor.



"Thanks to you guys, I'm one of the cast of the English dubbed Version of Maging Sino Ka Man.." - Pia Serrapio, doing several voice gigs since she last attended VoiceWorx!



More testimonials at: syvap.multiply.com

or CLICK HERE!



How do you join?!

Just make a P1000 reservation fee (non-refundable) to guarantee your seat for the Voice Acting Workshop.

Regular Classes: Once a week, every Saturdays.

r1 Class A: Sessions 1,2,3 10:00am - 12:00nn Sessions 4,5,6 9:00am - 12:00nn Sessions 7 & 8 10:00am - 12:00nn

r2 Class B: Sessions 1,2,3 2:00pm - 4:00pm Sessions 4,5,6 2:00pm - 5:00pm Sessions 7 & 8 2:00pm - 4:00pm

For more details about this workshop, sign-up now by clicking on the link below: REGISTER NOW! Or copy and paste this link to your browser: http://creativoices.net/blog/?page_id=10

You can also drop by at our office and pay in partial or full. The P1000 reservation fee will be deducted from your Seminar fee of P8000.00. The good news is you can now pay bank to bank. Please make the reservation fee or downpayment to the following account: Acct Name : CreatiVoices Productions / Pocholo Gonzales Bank : Bank of the Philippine Islands ( BPI) Branch : Buendia-Dian Acct. No. : 3716-8607-58

After which kindly fax us a bank statement with your contact details (name,address, mobile, email) at 729-7274 depositing the said amount. Also please indicate your choice of class schedule, R1 or R2. You can also email us a copy of the scanned statement at voiceworx@creativoices.com

If you wish to pay in full or may a downpayment of 50% this is also possible.

HURRY UP, BEFORE SEATS RUN OUT!

To register offline, simply drop by at the studio at the 3rd floor Left Wing Lightblue Bldg. 1745 Dian St. Palanan Makati City. For directions on how to get there you can check our online map here. Creativoices Studios

If the link doesn't work, copy this to your browser: http://creativoices.net/blog/?page_id=8 There is a google map of CreatiVoices studios at the page link above, so you can easily find the exact location of the seminar area. For directions on how to get to our workshop you may call: (632) 729.7274 or 970.0971 (from 9am - 6pm, Mon-Fridays only) Visit our website at www.creativoices.net and creativoices.com

Let's Be Great this 2008! $.$.$.$.$.$.$.$.$.$.$.$.$.$.$.$.$.$.$.$. More information!!! $.$.$.$.$.$.$.$.$.$.$.$.$.$.$.$.$.$.$.$.

What is a Voice-Over?

" A voice over is any recording or performance by one or more unseen voices for the purpose of communicating a message" – James Alburger. Any message you hear without seeing the performer is considered to be voice-over. This means voice-over is all around us! Whether you are listening to the radio, watching movies or television, dining at your fast food restaurant or riding the rail transit, voice-overs can be heard!

Is doing Voice-overs hard?

Voice-overs can actually be done by anyone! And it's a very rewarding job indeed. A lot of Voice Talents are being paid to play and many professional voice-overs get their kick out of the industry just by enjoying what they do. Anybody can do a voice-over, but not everybody can do voice acting.

So what is Voice Acting?

Voice acting is an art. And like all other art forms it has tools and techniques which must be mastered in order for you to succeed in the level of success you want to deserve. Its about finding the kid in you. It requires dedication and passion for doing Voice-over jobs, and lots of patience to master the skills. True, not everyone can do voice acting, but anybody can benefit from learning how it works. In fact, many of the students in Creativoices Clinic don't pursue voice-over jobs, but need the voice acting skills to further themselves in their chosen field.

How do I benefit from Voice Acting lessons?

If you want to break into the world of voice-overs, then voice acting is a must for you. By knowing how to express yourself properly, you can create real and believable characters for commercials, narrations, radio drama and most especially animation. With voice acting you can liven up a conversation and get the attention you want, whether its on a business or a personal level. If you or your job requires you to:

1. Communicate with other people on the same or higher business level. 2. Prepare Scripts, Write-ups or Citations for Productions 3. Talk to customers or clients and close business deals fast and efficient. 4. Constantly talk to other people and associates by way of declamation, speech or impromptu performance. 5. Or maybe you love to sing, host or perform for an audience. 6. Express yourself in a creative and entertaining manner.

Who can do Voice-Acting?

Anyone who needs to talk can communicate better when he/she uses voice acting techniques. Which means that even salespersons, promodizers, carpenters, engineers, attorneys, teachers, draftsmen, doctors, nurses, utility personnel, front desk officers, etc.. can learn voice acting, and benefit from expressing or communicating properly and creatively, with their peers.

What about Creativoices Clinic?

Creativoices Clinic is one of the departments of Creativoices Productions – the premier voice over solutions provider in the country. And it is now offering the Creative Voice Acting Workshop, the only one of its kind in the Philippines today. There are many voice acting schools abroad and many Voice talents offering "experience" based teaching, but none offers a detailed and thorough application and training by book and modules like Creativoices Clinic.

What do I expect from the training?

In Creative Voice Acting Workshop, you'll get:

1. Personalized, one on one voice coaching and training throughout the workshop - from real and credible Voice Acting Professionals 2. Information you need to know to become a successful voice actor and communicator. 3. Create real and believable characters from within you and learn how to bring them back when needed. 4. Training materials and assignments to keep you at pace with the workshop and rapidly develop your voice acting skills. 5. Professional Critiques to hear and identify your voice qualities and problems. 6. Knowledge on how to self-market and promote your talent, professionally.

How does it work?

The workshop lasts for about 2-3 intensive hours each session, once a week. There are 3 training modules divided into 8 sessions and categories:

Session 1: The Voice That Works Session 2: Starting Over – What it takes to be a voice talent Session 3: Accents, Dictions, Variety, Articulation and Movement. How to Create Voices. Session 4: Translation and Effective Dubbing delivery Session 5: Creating interesting and unique character voices for Dubbing Session 6: Actors acting. Working with Dubbing dialogues and multi-voice copies. Session 7: Fine tuning your performance, Dubbing Sessions and Voice TAlent Best Kept Secrets Session 8: Mock Auditions with Critique board and Q & A forum

How do I Join?

Sign-up now by clicking on the link below: REGISTER NOW! Or copy and paste this link to your browser:

You can also drop by at our office and pay in partial or full. The P1000 reservation fee will be deducted from your Seminar fee of P8000.00.

Visit us:

Creativoices Studios If the link doesn't work, copy this to your browser: http://creativoices.net/blog/?page_id=8 There is a google map of CreatiVoices studios at the page link above, so you can easily find the exact location of the seminar area. For directions on how to get to our workshop you may call: (632) 729.7274 or 970.0971 (from 9am - 6pm, Mon-Fridays only) Visit our website at www.creativoices.net and creativoices.com

How much does it cost?

For the whole program the total cost is Php 8,000 only. 50% down payment and the remaining balance on the 4th session. It includes fees for the instructor, venue and training materials. A one time, non-refundable reservation fee of Php 1000.00 will guarantee your seat. Students may also take advantage of the referral program.

What is the referral program?

For a limited time only, students can now avail of this special program. Please review the terms and conditions carefully.

1. Applicants must be 18 years old and above and residing in the Philippines. 2. Application forms for the referral program must be fully completed. 3. Only Workshop students may apply for the referral program. 4. Applicants will get Php 1,000 per successful referral. 5. Incentives may be in form of cash or deferred through the candidate's course. Which means if you get 8 successful referrals, you study the whole program for FREE. 6. Incentives can only be claimed if the referrals has paid in full. 7. There are no limits to referrals, and students may still avail of the program even after the course. 8. Creativoices Productions reserves the right to terminate or revoke any referral program at any given time.

-- $.$.$.$.$.$.$.$.$.$.$.$.$.$. VOICEWORX! TEAM Brian Ligsay VoiceWorx! Director http://pcva.blogspot.com www.creativoices.net $.$.$.$.$.$.$.$.$.$.$.$.$.$.

Turning your Voice into Gold.



Much has been said about the skills and talent one must posses to entertain anyone with their voice. Some of us for years, have adored cartoons, anime and telenovela without noticing the most important factor in the show – the voice actor. Many of us dream to take part in a role that will define a popular koreanovela or anime series in television.



So what do you do, to find your way into the business of voice acting? How do you even start auditioning for the roles? What can you do to make your voice silly and make a living out of it. Fortunately there's an easy and effective way to learn this.



From the creators of the Philippine Center for Voice Acting that gave you the first International-based Voice Over Acting Clinic.. CreatiVoices Productions present: VoiceWorx! Basic Voice Acting Workshop.



The seminar features some of the Philippine's best Voice Actors converging into one comprehensive and targeted VO seminar for the voice actor at heart, enthusiasts and those who wish to explore their potential in the arts.



It covers 8 intensive sessions about 2-3 hours each on the art of voice acting, managing your vocal investment, characterization, trade history, and skills and techniques to jumpstart your career in voiceovers. This seminar highlights dubbing for anime and telenovela, taught by leading experts in the field of Television Dubbing.



Participating in this workshop is the father of Dubbing in the Philippines, Danny Mandia who teaches voice acting for dubbers, his direction and supervision includes some of the most beloved animated films in Filipino including, Inuyasha, Zenki, Dog of Flanders, B'Tx, Rorouni Kenshin, Starship Operators, Capricorn, Saber Marionette, and hundreds of others.. Industry experts say you cannot be a "real" dubber without passing through Manny's direction.



Also appearing in the workshop is Alexx Agcaoili, the very talented voice actor and Director for Filipino anime productions like, Fruits Basket, Rave Master, Mobile Suit Gundam, Neon Genesis Evangelion, Beast Machines, Supergals, Babel 1 and 2, Green Rose, and many more. Taking the role of Dr. Smith in the original Filipino Voltes V and Sanosuke Kagara in Samurai X (Rorouni Kenshin). His contribution to the workshop will be in direct supervision of the recording process and applications of voice acting.



The two is teamed up with writer and translator for television, Neil Tolentino. A well known veteran writer in the industry of dubbing. He will cover familiarity with translation, writing skills and techniques for anime and telenovela. As he says, "You should not only know how to act, but to write what you're supposed to act.." Directing in Fortune Quest L, and Saber Marionnet J to X, is just a few of the hundreds of animes and telenovelas he has helped become a success.



Leading the seminar is veteran Voice Performer Brian Mathew Ligsay, who started out as a deejay when he was just 16. Now turning 29, he is the Marketing Director and Chief Operating Officer of CreatiVoices Productions, a company with a platoon of 200 Voice over talents at their disposal. He adds, " Voice acting is an art.. it's a passion. You speak by heart and you work by heart.." He has done thousands of voiceover jobs for narrations, live events, AVPs, the internet, original animation, gaming, multi-media, radio and television dubbing. Credited to his work in anime is his role in the animated series BECK wherein he took 18 character roles in the show. Brian is also a director, producer and writer for original content. He has recently directed and voice casted 2 international animation films in Korea and India.



Pocholo Gonzales steps in as the moderator of the group - a multi-awarded voice talent who outlasts the number of voices he can make. Whenever you hear a Mike Enriquez, Mark Logan, Babalu, FVR, Erap, Juan Flavier sound alike on radio, expect that to be Pocholo. He can do more than 100 voices at any given time and is the CEO and Managing Director of CreatiVoices Productions. Saying, "This seminar is a US-based Voice Over training workshop, localized to fit the Filipino Market.." His exposure to Commercials for Radio and Television provides an extensive source of industry norms and practices one must understand in order to break into the business.



The Workshop which is limited to 10 students per class and starts this new year on October 4, 2008, for the regular classes which is held once a week for 8 Saturdays. Pilot classes are also offered for group attendance, which compresses the entire workshop to about 1 session per day, Mondays to Fridays, so you can finish the seminar in 8 consecutive days. Both offer the same content, but they recommend you take the regular classes if you are just starting in the industry.



"Whatever your skills are, voice acting can help you out..." Ligsay adds. "Any form of verbal communication can be effectively delivered with the use of voice acting. If you constantly work and meet people, write scripts for events, engage in sales or you just want to boost your speaking performance... then this workshop is a must."



Enthusiasts can call 729-7274 for registration, drop by at their office at the 3rd flr Left Wing (Lightblue bldg) 1745 Dian St Palanan Makati City. You can visit their website at www.creativoices.com or email brian@creativoices.com for details about this exciting event. But hurry, time and seminar slots are running out.